I have competed my second banjo and based on a lot of what I have read about bridge construction, I cut into the 200 year old pine boards that I recovered from my old house floor boards. They are quartered pine and have some nice tight annular rings. I based my design on that shown in the Briggs book and strung up the banjo and I have to say that I can't really tell if there is much improvement between that and my modern maple and ebony bridge. In fact I would say it has a little less carry and duller tonality. Does anyone have any input as to what species of old growth pine I should try? This is likely white pine due to its location in NH. I was thinking some old heart pine flooring might produce a clearer sound since it is denser and more rigid. Someone else mentioned poplar and I am sure I have some turn of the century poplar that I have recycled from somewhere. What about thickness of the bridge?? Please feel free to chime in with your successes and failures!!
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After about 200 bridges, I can say that a softwood bridge three times wider at the bottom (than the top) sounds best. If the bass string is overbearing, thin the whole bridge so the top is just under 1/8" thick. A solid wood rim, a minimum 27" scale and a bridge as described will get you a sound close to Tim's.
I tried a lot of different things and have settled (for now) on 1/8" basswood which they sell in little boards at hobby stores for about 3 bucks. (a byproduct of other nerdy activities)
I have a lot of this really fine soft sugar pine I had cut into unshaped pieces.
If somebody wants to try one and shape your own bridge, give me an address....I'll shoot one out in an envelope. It is soft and makes a nice bridge.
After reading this I made a overpass LOL , instead of a bridge. Huge, I kept working it down until it had some tone and a lot of bass. I believe it still need to be lighter. My idea is the BG guys are always talking about super light bridges for the piercing tone,,, so I thought Id go the other way. Results still inconclusive, but fun
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