I have been looking for a smaller late 19th century banjo to play stroke style tunes on when traveling to places with humidity problems or for when I don't feel like lugging my Boucher around. Over the last few weeks, I've probably played forty banjos from this time frame, and all of them were lacking in my opinion, although I play stroke style only and haven't had prior experience with these banjos, so I'm biased towards the sound of the early minstrel banjos. Today I finally found the perfect banjo- an SS Stewart American Princess, which is an A-scale ladies banjo with a 10'' pot. Interestingly, with medium tension nylgut strings the banjo plays very well down tuned to D and E (even low bass tuning)! The most surprising thing about this banjo (and the reason I bought it) was the tone.. it sounds almost identical to my Hartel boucher, and despite the 10'' pot, it sounds HUGE and has great volume. I can't explain why this little banjo sounds like it does, but it's perfect and I thought I'd share some pictures with you all. The neck is pretty straight, although the store I bought it from had it strung with steel strings. It's also missing two inlays, which I plan to have replaced in the near future. It's such a happy banjo. Side by side compared to banjos with 13 and 14 inch pots, it holds its own and isn't quiet or thin sounding at all. This is with a synthetic head as well- I'll also be replacing that in the near future.
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Here's more pictures:
John-- I've got an 1880's Haynes banjo a bit on the small side, and with no tone ring, that sounds and plays incredibly well in A/E tuning with gut strings. They don't have to be oversized to sound great. If you're really concerned with humidity, think twice before you put a skin head on your new banjo, perhaps a Fiberskyn instead.
Hi John, nice banjer!
Do you notice any difference in terms of your playing stroke style on fretted versus on fretless (which i assume your Boucher is) ? I find I myself play quite differently depending on that.
I personally don't, but I only play stroke style and I have a background with other fretted instruments. I think the only difference I notice is when sliding up or down, but that's to be expected. It is refreshing to go back to the freedom of my fretless Boucher after playing the Stewart for a while. The main difference I notice is in string spacing and tension, but it's easy to adjust to the different banjos and switch back and forth.
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