Nice job. Some of those from the last quarter of the 19th C seem like an awful lot to memorize but it doesn't look as though you're reading the music. I suppose that's the reason some of the multi-part dance music, such as Jenny Lind Polka, or Rochester Schottische survive among today's fiddlers with only two parts. Understandable but really, too bad because the key changes are often interesting.
Thanks. I found it had a great "shimmer" to it. Does yours feel similar. Hard to explain, but I felt it in these tunes in this triIt is the way all the harmonics work together and resonate on the instrument.
Stoke, Guitar Style....fretted, fretless. All highly interchangeable components, aren't they?
Curious as to the difference between something like this piece and Classic style banjo. To my uneducated ears this sounds like 'classic' classic banjo, so I'd like to know.
I am not knowledgeable at ALL about Classic Banjo, but I think that a lot of the material in this book is considered early classic, and crossing over into it.
HOWEVER....this one is listed as "banjo style". Go figure. Hard as heck on a fretless. Even when I pull it off, it never sounds that good. Certainly fretted.
Lovely playing and banjo!
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