This guy was very famous!
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Albums: Minstrel Hall of Fame
Yes, and his head is so big that it makes his hat look small!
Lots of amazing detail here. Notice how much string is wrapped around the first string peg; to wind down when it frays? I know I do that.
That's what happens when you get famous.
Note the metal fretboard overlay.
What an incredibly crisp shot! You can see the weave in his trousers. Not to mention the pegs in his boots.
Can anyone fill me in on the actual purpose of the sheet-metal on part of the fingerboard? I've seen a number of banjos like that over the years. (old and new)
It could cover up wear in the fingerboard. It was also just fancy. Just before, and esp. after the ACW the banjo became a reflection of the industrial revolution. More metal and hooks. In some cases, all metal rims.
Funny that "patent head" tuning machines never stuck. Well, neither did wire strings, until WW1.
Ian,
Many players from the Round Peak area down here on the North Carolina and Virginia border still play fretless instruments often with the sheet metal on the fingerboard. It does keep the fretboard from wearing down faster, but having played several of these, it actually sounds a little different (hard to describe) and is really nice for doing lots of slides, getting those microtones etc., which is so much part of the Round Peak sound.
I used to have an 1880's English fretless banjo with tin fretboard overlay to the 5th fret. I also have a custom fretless I had made for me with nickel silver overlay the same way. Playing on a metal overly fretless is really wonderful and slidey, a great feel. I have no doubt people made them that way new, as opposed to assuming they were covering up wood fretboard damage.
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