For enthusiasts of early banjo
by W.H. Gassner, from James Buckley's Banjo Method of 1860. Played on a Jeff Menzies banjo.
I don't know how Tim does it.
It becomes infectious. You cannot stop.
What amazes me about some of these tunes is the different character they all have. Little gems!
The ending is sort of a bear, isn't it?
The variety is great, and I'm still occasionally struck by how modern some of them sound despite having been written 150+ years ago.I'm still stumbling my way up the neck - this tune is actually not too bad since you can play most of it out of the same barre form, but it still feels like no man's land up there. I'm also still adjusting to this banjo's 28" scale, which is longer than any I've played so far! What I love about this neck is that with the bridge at 28", the start of the chanterelle lobe begins right at right about the 5th fret position and ends at right about the 7th. (I asked Jeff to build me a neck to some of the Ashborn specs in Greg's banjo database, and those positions were a happy discovery.)
Yea, the thing about that tune is that you have to wait until the very end to see if you screw it up. Those last chords are difficult to intonate.
Hah! That is a perfect way of putting it. Rail Road Polka, too.
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