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I would like to see how Weidlich fingered that one. It is a totally ridiculous banjo phrase. I interpolated what I thought a banjo might do, but I think that may be another fiddle thing. Any fiddlers want to cone forward and play it? I bet it would make sense. I played it on my recording a little closer to what I think it should be than my video of old. Just race in a cluster toward the highest note.
Here is a link to Joe Ayers' great version. Top of the page .http://joeayers.tumblr.com/
@tim here is a pic of the tab, but once I read replies and listened to joe ayers i took a peek at the notation and see that maybe the tab is a tad misleading, or I dont get how to read the glissando, I thought it was essentially a slide but now i see it leaves out all the stuff in between that I can see in the standard notation
@mark thanks, i had no idea that tumblr page existed!
Thanks for helping me out, it is a fun, spooky tune. I have found a lot of the rice stuff to make think of circuses and masked marauders
Ha...that tab is the cheap way out. booooo
I believe one should try to articulate as many notes as possible, but look at the big picture and use musical sensibility. I think you look at the excitement of a flurry of notes harmonically correct between point A and point B and try to execute them in time...the result being a feeling of excitement and rising tension. Certainly not a glissando.
...where two of my fave fave fave Ayers versions of minstrel songs are...Old Grey Goose and United States Am the Place. :)
Mark Weems said:
Here is a link to Joe Ayers' great version. Top of the page .http://joeayers.tumblr.com/
Exactly so. Well put! One of the reasons I particularly like Rice. :D
Chris Prieto said:
I have found a lot of the rice stuff to make think of circuses and masked marauders
I'm glad the tab is to blame and that I'm not crazy, back to the drawing board with this one!
Another good reminder to learn to read standard notation as well.
I think you need a little of this...a little of that - in order to make choices. Look at notation, tab, different versions of people playing etc. People interpret differently.
man, that joe ayers album is **really** good, I am very much guilty of listening to it back to back like 4 times in a row yesterday haha
I think I listened to it almost every day for a year! His exploration of percussion/groove on that record, has influenced my playing tremendously.
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