From the Phil Rice 1858.
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A mix of Strikes and Hammers. I found counting this one to be tricky. It flips around on you if you don't watch it.
I tend to put the Hammers on the inner voices. The Strikes throughout the rest held hold the integrity and feel of the tune, but I find myself doing both...depending on the tempo. This is an intriguing tune, and is felt best with 2 foot taps per bar. If you use one and feel it way, it sort of flips around.
What fun!!!
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