A piece taken from Coe's Fiddle Collection c.1880. This is a great one for maintaining the Banjo Characteristic, needing only fingerings to give it greatest effeciency. Rhythmically really interesting, and a few small harmonic twists that surprise you.
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That's really exotic sounding. It doesn't much seem to follow the usual anglo/celtic formulas. I wonder where and how it came to be. Impressive intonation way up the neck - and you don't even appear to be looking at your fingers!
Thanks for posting that.
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