Lon Morris's Jig-Experiment

3 versions of a most unusual part of the Buckley 1868 book. It calls for a radical retuning of the banjo, and yet the written score is not totally justified with playing it in that tuning. I played it as is, concert pitch, as instructed with new tuning, and my own version, using what I deemed to be period correct melody, phrasing, and arranging. Most bizzare. Either typset errors, drugs, or a joke.We'll never know.