Bassekou Kouyate is a west African ngoni (one of the possible prototypes for our banjo) playing griot. As a griot, one of his main interests is in preserving traditional forms of music. He also likes to push the envelope and has developed a way to present the instrument to a modern audience.
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Bassekou Kouyate is a west African ngoni (one of the possible prototypes for our banjo) playing griot. As a griot, one of his main interests is in preserving traditional forms of music. He also likes to push the envelope and has developed a way to present the instrument to a modern audience.
Where did you find this. I hear the blues type scale in some of this. Very cool.
I found this on Amazon..http://www.amazon.com/Segu-Blue-Bassekou-Kouyate/dp/B000LSA8HG
You think this is a good introduction to this music, or do you recommend other recordings.
Yes, that's probably the best one for more of an African experience. He's also been influenced more recently by American blues music and this is reflected in their newer record.
I've spent a good bit of time on youtube watching West African griots play their instruments. The master that I've been watching recently and trying to learn some finger techniques from is the griot Sambe Guisse. Check out http://banjo.hotmusicpoint.com/art-of-the-xalam-hoddu/
This man can do just about anything with his fingers - stroke, up-picking, vibrato....and all within the same piece of music - extremely cool!
Thanks Mark, Man I'm going in all directions...so many cool things popping up here. Regarding the gourd banjo you were playing; what is the tuning and is it only 4 strings. I thought I saw just 4. Is the intonation regarding tone intervals on the neck about the same as a banjo or is it much wider. too many questions...wish I could play around on one. That's one thing about these instruments they are built upon request never get a chance to listen before deciding what you want. Thanks for the info.
It's four strings, like they would have been back in the day. It's the bass string that is missing. It plays just like your minstrel banjo except that if you want to play a piece that utilizes the fourth string (and there really aren't that many of these in the earliest banjo music) you have to change form a bit and play up the neck, just like on a ukulele for instance. It does take a little time to get used to, but not as much as you'd think.
That's like time travelling in two directions at once. Buddy Guy with a gourd. Thanks for posting!
Exactly! Here's one of my Bassekou favorites. What is amazing to me is how such a modern beat/rhythm section sound can come out of what is essentially three gourds of various sizes.
the Ngoni body is wood not gourd. It is a small hollowed out log that looks like a dug out canoe.
Yes, it is made of wood. I was speaking of its sound quality in general, which to me (possibly due to its bowl shaped back and sound hole) resembles more of a gourd sound than say, a typical wood framed instrument.
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